Almost made it within the week. I tried centering the mic on-axis with one of the speakers to get more presence and high-end, as opposed to being so far off-axis like I was previously. Boy, did that bring it back. Enough that with the settings I was running (EQ maxed) a beam blocker was necessary to kill icepick treble. The beam blocker I used was an open-cell, polyurethane, 1.4 lb/ft^3 density, foam disc sized to the speaker cut-out hole, with a 3" diameter hole cut in the center. The basic operational principle being that the disc makes the speaker behave like a smaller sound source at higher frequencies, killing off a good bit of the constructive interference patterns that cause beaming. At some other point I plan on doing some comprehensive tests to post for listening and/or discussion, but for now here's the clip. EQ maxed, Presence at 6/10, Pre-Vol at 7, MV just above 0 if I remember. https://soundcloud.com/grrrrr-662986275/...wAIpKmH4te
Here's another riff, played too slow and not perfect, but chasing "feel" is another thread, possibly another forum. I've included a "no-beam-blocker" version first to show how much it did. This particular riff brought out the worst in my setup I think. Pretty fizzy/shhhh-y and a bit hollow.
No beam blocker:
https://soundcloud.com/grrrrr-662986275/...Lv9jtYcxQ4
Beam blocker:
https://soundcloud.com/grrrrr-662986275/...2q08GFPJ0a
To try reducing the hollow and fizzy quality, I reduced the Treble from 10/10 to 7/10, and also moved the cab a little closer to the wall in case it was a resonance issue (but I don't think it was). Aside from that, and an even lower master volume, the settings were the same. Here are the two riffs from before, but with this new setup. https://soundcloud.com/grrrrr-662986275/...VOS2AaT84e https://soundcloud.com/grrrrr-662986275/...qo0Dt00POh
I think it sounds pretty darn good for the volume being somewhere below 0.5/10. Can't wait until I can do a MV and/or power scaling mod and build a detuned cab or two. I have some clips of riffs that I recorded with both the PZM and an SM57 for comparison which I'll post at some point, but for now I gotta get going. If anyone has critiques of the clip tones I'm happy to hear them.
Edit: Oh, and all clips were with 12dB of clean boost in front of the amp.
Here's another riff, played too slow and not perfect, but chasing "feel" is another thread, possibly another forum. I've included a "no-beam-blocker" version first to show how much it did. This particular riff brought out the worst in my setup I think. Pretty fizzy/shhhh-y and a bit hollow.
No beam blocker:
https://soundcloud.com/grrrrr-662986275/...Lv9jtYcxQ4
Beam blocker:
https://soundcloud.com/grrrrr-662986275/...2q08GFPJ0a
To try reducing the hollow and fizzy quality, I reduced the Treble from 10/10 to 7/10, and also moved the cab a little closer to the wall in case it was a resonance issue (but I don't think it was). Aside from that, and an even lower master volume, the settings were the same. Here are the two riffs from before, but with this new setup. https://soundcloud.com/grrrrr-662986275/...VOS2AaT84e https://soundcloud.com/grrrrr-662986275/...qo0Dt00POh
I think it sounds pretty darn good for the volume being somewhere below 0.5/10. Can't wait until I can do a MV and/or power scaling mod and build a detuned cab or two. I have some clips of riffs that I recorded with both the PZM and an SM57 for comparison which I'll post at some point, but for now I gotta get going. If anyone has critiques of the clip tones I'm happy to hear them.
Edit: Oh, and all clips were with 12dB of clean boost in front of the amp.


