![[-]](https://theultimatetone.com/images/collapse.png "[-]")
07-10-2020, 01:04 PM
Hi Guys
Fender's frequency-shift tremolo circuit in the Bandmaster 6G7-A used five triodes but the Concert 6G12 used only four triodes.
Concert has a linear Intensity control (labelled 'L', but now called B)where Bandmaster has a reverse audio ©. Depending on which was built first, the taper change was either to save money or to try to smooth the response of the effect at the extremes of the pot sweep?
Fender's frequency-shift tremolo circuit in the Bandmaster 6G7-A used five triodes but the Concert 6G12 used only four triodes.
Concert has a linear Intensity control (labelled 'L', but now called B)where Bandmaster has a reverse audio ©. Depending on which was built first, the taper change was either to save money or to try to smooth the response of the effect at the extremes of the pot sweep?
